By Cassia Smith
Revolutions, where lofty goals meet complicated reality, are often left to grapple with the ethics and practical implications of their ideology. In her writeup of the Soviet film The Commissar for the REEEC blog, Comparative and World Literature grad student Lizy Mostowski discusses the ways this film tackles the less savory implications of the Russian revolution. In particular, she highlights Professor Harriet Murav's introduction to the screening, which outlined the film's relationship with suffering, violence, and anti-Semitism, as well as its unfriendly reception by the Communist Party. Whether you attended the screening yourself or want some context before watching the film on your own, the blog serves as a great companion to the viewing experience.
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