By Cassia Smith
How do you evaluate a film that failed to achieve its ambitious political goals at the time it was released? What if it went on to be embraced by other factions for other purposes long after it first flopped? How do you evaluate a screening of a film that was rejected by the very revolution it tried to valorize? And how do you do that in the context of contemporary politics? History PhD candidate Franziska Yost wrestles with these questions and more in her thoughtful, in-depth discussion of the November screening of the Soviet film I Am Cuba. Read her write-up on the REEEC blog to learn more about the film's complicated past and how local audiences responded to the screening.
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